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Gothic Lolita Theory, 1st Semester

Lolita Background

I have an unreasonable interest in the Japanese Lolita cosplay subculture.

Whether the Japanese girls are dressed as little maids, little vampires, Victorian baby dolls, or a maid who is for some reason dead, it makes me smile. I had to stop buying the Gothic Lolita bibles after the fifteenth, because I ran out of bookshelf space. I like watching trends run through Lolita-land in Harajuku. One Summer, inexplicably, everyone had a bloody eyepatch, like the dolls had a fight.

I made a Lolita dress for myself two years ago, and I am still waiting for an event where a six-foot tall Western lolita might be appropriate.

Strawberry Switchblade

Last year, I wanted to do Strawberry Switchblade with my extremely easy-going spouse. I don’t think there’s another hetero male in the world that would agree to dressing as half of a defunct Scottish girl-group. Here’s my initial sketch and a reference picture-

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Strawberry Switchblade

Strawberry Switchblade were an adorable Scottish pop duo who had a hit with “Since Yesterday”, and later a minor ripple with a cover of Dolly Parton’s “Jolene.”

They were best friends who later split up messily. Rose McDowall went on to work with Death in June, Coil, Current 93, Nurse with Wound and Psychic TV. I think that Jill is driving a cab in Glasgow.

Here’s how our costumes turned out:

During my research, I noticed that there were a lot of photos of Strawberry Switchblade touring Japan in the early 1980’s. I also found a pic of an early Visual Kei group, Velvet Eden, that used to dress as Strawberry Switchblade, and covered their songs. Half the group, a drag artist named Dada, is also involved with/models for Lolita clothes label Arachnophobia. Which brings us to the question: was anyone dressing like a doll who was not first into Strawberry Switchblade?

What does it all mean? Did Strawberry Switchblade invent Gothic Lolita?